Cast: Khushali Kumar, Mahesh Manjrekar, Piyush Mishra, Snehil Dixit (BC Aunty), Omkar Kapoor, Agu Stanley

Director: Akashaditya Lama

Producers: Siddharth Banerjee, Akashaditya Lama & Vikas Aggarwal

Banner: Aloe Cine Saga in association with Think Tank Global & Spira

Story: Jayant Gupta & Anupriya Roy

Duration: 2 hours 8 minutes

Censor Rating: UA

Release Date: July 24

Rating: ★★★½ (3.5/5)

Romantic comedies often rely on familiar formulas, but Dulhaniya Le Aaeegi arrives with a refreshing premise that instantly stands out. Instead of waiting for the groom to arrive at the wedding, the bride is forced to search for a replacement groom just hours before the ceremony. Built around this quirky idea, the film blends comedy, emotions and family values into an entertaining package that keeps the audience engaged from beginning to end.

What makes the story work is that beneath all the laughter lies a heartfelt emotional conflict. It asks a simple yet compelling question—what should a woman do when she discovers, just before her wedding, that the man she is about to marry is abusive and unworthy? Cancel the wedding and break her father's heart, or somehow find another groom before the rituals begin? The film finds plenty of humour in this unusual situation while never losing sight of its emotional core.

Story

Navya (Khushali Kumar) is a successful HR Head whose wedding preparations are complete. Her father, Devi Prasad (Mahesh Manjrekar), has only one dream—to see his daughter happily married. But just a day before the wedding, Navya uncovers the ugly truth about her fiancé and realises she cannot spend her life with him.

The problem, however, goes far beyond a broken engagement. Devi Prasad's fragile health cannot withstand the shock of a cancelled wedding. Determined to protect him, Navya comes up with an extraordinary plan—to find another groom who is willing to marry her at the same mandap without letting her father discover the truth.

Her unusual mission is supported by her uncle, her closest friend Ragini (Snehil Dixit), and a series of colourful characters who keep complicating the situation. Former lovers return, marriage brokers create chaos, social media influencers add to the confusion, and every new encounter leads to another comic twist. While the screenplay is packed with entertaining moments, it also speaks about trust, compatibility and making the right life decisions.

Direction

Director Akashaditya Lama handles the unconventional subject with confidence and simplicity. Rather than turning the film into an over-the-top farce, he keeps the emotions grounded, allowing the humour to emerge naturally from the situations.

Writers Jayant Gupta and Anupriya Roy deserve credit for balancing comedy with genuine emotional moments. The screenplay captures the atmosphere of a middle-class Indian wedding, highlighting both traditional family values and the changing outlook of today's generation. The emotional bond between Navya and her father gives the film its strongest moments, while the comic situations ensure the narrative remains consistently entertaining.

Performances

Khushali Kumar delivers a confident and sincere performance as Navya. She convincingly portrays a woman who must remain emotionally strong despite the chaos surrounding her. Whether in emotional scenes or lighter comic moments, she carries the film with ease.

Mahesh Manjrekar lends warmth and authenticity to the role of Devi Prasad. His understated performance strengthens the emotional backbone of the story. Piyush Mishra once again proves why he is such a dependable performer, adding his trademark charm and effortless dialogue delivery.

Snehil Dixit (BC Aunty) is undoubtedly one of the film's biggest assets. Her comic timing is impeccable, and her chemistry with Khushali Kumar creates several memorable moments. She injects freshness into every scene she appears in.

Omkar Kapoor and Agu Stanley also perform their respective roles effectively, adding to the lively ensemble cast and maintaining the film's entertaining rhythm.

Final Verdict

Dulhaniya Le Aaeegi is not just another wedding comedy. Beneath its entertaining premise lies a thoughtful story about self-respect, family relationships, trust and choosing the right life partner. The middle-class wedding backdrop, relatable characters and light-hearted humour make the film both engaging and emotionally satisfying.

With an original concept, enjoyable performances and a screenplay that balances comedy with emotion, Dulhaniya Le Aaeegi succeeds as a wholesome family entertainer. It offers laughter, warmth and a meaningful message without becoming preachy. If you're looking for an enjoyable film that the entire family can watch together, Dulhaniya Le Aaeegi deserves a place on your weekend watchlist, earning a well-deserved rating

Story:

Set in a remote desert village of Rajasthan, the story follows Savitri, a daily wage worker struggling to survive while carrying the burden of responsibilities on her shoulders. The opening itself immediately places viewers into her difficult world.

Running parallel to this is a striking visual of a camel being set free in the open desert. Though the ropes are removed, the animal appears hesitant and uncertain. The moment quietly mirrors the emotional condition of the characters and becomes one of the film’s most symbolic visuals.

As Savitri reaches home, she discovers that her father-in-law has passed away, and the narrative gradually opens deeper emotional layers. Poverty, family pressure, addiction and silent suffering become part of a story that unfolds with sensitivity.

At the center of it all stands young Omlo, silently observing everything around him. Through his innocent eyes, the film raises larger questions about emotional wounds and social realities.

Direction

Sonu Randeep Choudhary demonstrates maturity in both storytelling and direction. He avoids exaggerated emotions and trusts the strength of simple moments, allowing scenes to connect naturally with the audience.

The film’s biggest achievement lies in the way Rajasthan’s culture and legacy become a living part of the storytelling. The dialect, customs, village atmosphere and local emotions do not feel inserted for effect; instead they become an essential heartbeat of the narrative.

The storytelling remains restrained yet impactful, making the emotional journey feel genuine and relatable.

Performances

Shambho Mahajan delivers a memorable performance as Omlo. His innocence and subtle expressions become some of the film’s strongest emotional moments.

Sonali Sharmishtha performs with honesty and emotional depth as Savitri, making her struggle feel authentic.

Sonu Randeep Choudhary naturally fits into his character and further strengthens the realism of the narrative.

Vandana Gupta, Deva Sharma and Mahesh Jilowa provide strong support and contribute effectively to the emotional world of the film.

Music and Technical Aspects:

National Award-winning musicians Ghazi Khan Barna and Bhuvan Ahuja deliver music that quietly supports the emotional storytelling. Devendra Bhome's background score further enhances important scenes.

Real locations in Shri Dungargarh and Bikaner add tremendous authenticity. Cinematographer Wilson Rabinse captures Rajasthan’s beauty and village life with visual honesty.

Final Verdict:

Omlo succeeds because it does not rely on dramatic highs or loud storytelling. Instead, it uses emotional truth and cultural depth to make its impact.

With Sonu Randeep Choudhary’s grounded direction and the film’s beautiful celebration of Rajasthan’s legacy, Omlo becomes much more than a social drama. It becomes a heartfelt experience about pain, resilience and hope.

If you enjoy meaningful cinema with strong storytelling and cultural roots, Omlo deserves a place on your watchlist.

Experimental thrillers have always attracted a niche section of Bollywood audiences, and ‘Obsess’ is one such bold attempt. Built almost entirely around two characters, the film explores how a small road rage incident spirals into a terrifying psychological battle between a mentally unstable man and a fiercely independent woman.

Story

The story begins in a North Indian city on a dark night. Peter (Peter Wilson) is seen murdering someone inside a deserted house. Mentally disturbed and emotionally broken, Peter believes he is not wrong — just weak, but not defeated. Sitting inside his truck after the murder, he consumes medicines and alcohol while talking to himself.

Soon, he receives a message from his boss informing him that he has been fired for drunk driving. Humiliated by the abusive texts, Peter loses control completely. He drives straight to his boss’s house and brutally kills him as well.

Peter later enters a church and confesses to murdering a woman inside the confession box. But shockingly, moments later, he murders the priest too, claiming that he no longer trusts anyone.

On the other side is Sara (Esha Singh), who is going through marital issues with her husband. She refuses to give him custody of their child and leaves for her mother’s house with her son Sachin.

While driving, road construction forces her to stop the car. As she steps out to attend to her child sitting in the backseat, Peter’s truck stops behind her. Drunk and impatient, Peter keeps honking continuously. Irritated, Sara walks up to his truck, yells at him and calls him ill-mannered. Peter simply stares at her silently.

That one argument slowly turns into a deadly game. On one side is a psychologically disturbed killer, and on the other is a mother willing to fight for her child at any cost. Their conflict becomes a tense survival thriller that keeps the audience constantly anxious.

Direction

Director Peter Wilson deserves credit for handling a feature film with almost only two central characters. He presents Peter’s disturbed mental state in a raw and natural manner. Peter sees himself as the victim of society and believes violence is justified against those who wrong him.

At the same time, Sara’s ego, anger and emotional vulnerability are also explored effectively. Wilson succeeds in maintaining tension throughout the 2-hour-18-minute runtime.

One of the film’s most unique aspects is that there are almost no dialogues. The storytelling depends heavily on silence, expressions and atmosphere, making the psychological tension feel even more disturbing and realistic.

Performances

Peter Wilson delivers the film’s standout performance. Through expressions and body language alone, he successfully portrays the pain, frustration and dangerous instability of his character. Since the film has very limited dialogues, his facial expressions become the primary driving force of the narrative.

As a psychotic killer, Wilson manages to create fear without relying on exaggerated theatrics. His calmness often feels more terrifying than violence itself.

Esha Singh also leaves a strong impact as Sara. Initially appearing as an egoistic and fearless woman, her character slowly transforms into a desperate mother trying to save her child. Esha handles this emotional transition naturally and convincingly.

The face-off scenes between Peter Wilson and Esha Singh are among the strongest moments of the film. Despite minimal dialogues, both actors keep the tension alive through performance alone.

Final Verdict

‘Obsess’ is not a regular commercial thriller. It is an experimental psychological drama that explores how one impulsive moment of anger can destroy lives forever.

The kidnapping and chase sequences involving Sara’s child are genuinely disturbing and emotionally intense. As viewers, you constantly feel trapped inside the nightmare unfolding on screen.

With minimal dialogues, strong performances and sustained psychological tension, ‘Obsess’ becomes a gripping cinematic experience. More than just a thriller, it works as a warning about anger, ego and mental instability.

‘Obsess’ is the kind of film that stays with the audience long after the credits roll.

When Imperfect Hearts Learn the Language of Love

A Contemporary Romance Rooted in Emotional Honesty

Story

Do Deewane Seher Mein explores love not as a dramatic whirlwind, but as a gradual emotional evolution. It presents relationships as layered emotional spaces where trust and safety are built slowly, through shared moments rather than grand gestures.

Roshni and Shashank feel deeply relatable — imperfect, hesitant, emotionally aware, and quietly sincere. Their bond grows through ordinary interactions: unfinished conversations, emotional pauses, awkward smiles, and silences that carry more meaning than words ever could.

The city becomes more than just a backdrop — it breathes alongside the characters. From bustling offices and traffic signals to crowded cafés and silent midnight streets, urban life mirrors the emotional rhythm of their journey. The chaos outside contrasts beautifully with the calm intimacy developing within them.

The narrative resonates strongly with modern relationship dynamics — fear of vulnerability, timing conflicts, emotional independence, and the silent longing for companionship in a fast-moving world.

Direction

Ravi Udyawar approaches the story with emotional restraint and observational sensitivity. The film consciously avoids melodrama, trusting human behaviour and subtle emotional shifts to carry the narrative.

Scenes unfold organically, almost like real life captured through a quiet lens. The pacing mirrors authentic relationships — gradual emotional openings, moments of clarity, and realizations that arrive without noise.

The storytelling feels intimate rather than theatrical, allowing the audience to sit with emotions instead of being told how to feel.

Performance

Siddhant Chaturvedi delivers one of his most controlled and emotionally nuanced performances. Through micro-expressions and understated body language, he beautifully conveys vulnerability without overt dramatization.

Mrunal Thakur brings emotional sincerity and depth to Roshni. Her portrayal feels natural and grounded, making the character deeply accessible and believable.

Their chemistry feels effortless — contemporary in tone yet emotionally timeless. It doesn’t rely on exaggerated romance but thrives on emotional understanding.

The supporting cast adds texture and realism to the narrative, while the music gently enhances emotional transitions without overpowering the storytelling.

Final Verdict

Do Deewane Seher Mein leaves you with emotional warmth rather than dramatic intensity. It celebrates companionship over spectacle and understanding over confession.

This is a romance about emotional safety — about finding someone who understands your silences as much as your words.

A deeply relatable love story that lingers long after the credits roll.

Terrorism as a theme is familiar, but Bihu Attack attempts to differentiate itself by rooting the narrative in Assam’s cultural identity. Director Suzad Iqbal Khan approaches the subject with restraint, focusing on narrative seriousness rather than cinematic flamboyance.

Story

Raj Kunwar (Dev Menaria), a court-martial officer and single father, believes that peace cannot be achieved through force alone. His principles are challenged when intelligence agencies uncover a terror plot targeting the Bihu festival and a visiting Defence Minister.

As the operation unfolds, Raj collaborates with the IB Chief (Arbaaz Khan) and security forces to prevent the impending disaster. The story unfolds methodically, with the climax serving as the film’s primary highlight.

Performances

Dev Menaria delivers a mature performance, balancing duty and emotion. Arbaaz Khan’s portrayal adds authority, while Daisy Shah’s role remains limited. Supporting actors bring sincerity, though character depth remains uneven.

Direction and Technical Aspects

The film maintains a realistic visual language. Pacing issues surface intermittently, but the controlled background score and minimal music suit the narrative’s seriousness.

Final Verdict

Bihu Attack is a thoughtful attempt that values message over mass appeal. Despite its shortcomings, the film stands as an example of risk-taking cinema—one that exists because producer Prabir Kanta Saha had the courage to support such a subject.

Cast: Pulkit Samrat, Varun Sharma, Shalini Pandey, Piyush Mishra, Chunky Pandey, Amit Sial, Manu Rishi Chadha, Sumit Gulati

Director: Vipul Vig

Producers: Umesh Kumar Bansal, Suraj Singh, Varsha Kukreja, Pragati Deshmukh

Duration: 2 hours 17 minutes

Certification: UA 

Release Date: 16 January 2026

Rating:  

When it comes to sheer comic chemistry, Pulkit Samrat and Varun Sharma once again prove why they remain one of Bollywood’s most loved comedy pairings. In Rahu Ketu, the duo delivers consistently hilarious, rhythm-perfect performances, feeding off each other’s timing, expressions and spontaneity. Their effortless banter, physical comedy and emotional ease form the beating heart of the film, making it an engaging watch even when the narrative momentarily wanders. This is classic Bollywood buddy comedy—energised, playful and thoroughly entertaining.

Rahu Ketu chooses a lighter, smarter route. Rooted in humour, friendship and a mischievous mythological twist, the film offers a feel-good experience that doesn’t take itself too seriously, yet knows exactly what it wants to be.

Story

Set in a small town in Himachal Pradesh, the story opens with struggling writer Churu Lal Sharma (Manu Rishi Chadha), creatively blocked and desperate for a breakthrough. The plot takes an intriguing turn with the arrival of the enigmatic Phuphaji (Piyush Mishra), who possesses a magical book—one that can turn written words into reality.
From this book emerge Rahu and Ketu, two odd yet oddly lovable characters whose presence seems to bring chaos wherever they go. Declared unlucky by the townspeople, the duo themselves remain clueless about the cosmic reason behind their misfortune. Running alongside is Meenu’s (Shalini Pandey) story—secretly entangled with a dangerous local criminal, Mordekhai (Chunky Pandey)—adding both tension and comic friction to the narrative.

The film smartly balances fantasy with grounded humour, allowing the magic to enhance the storytelling without overwhelming it.

Performances
The film belongs squarely to Varun Sharma and Pulkit Samrat. Varun’s Rahu is loud, expressive and irresistibly funny, while Pulkit’s Ketu brings restraint, timing and situational humour to the table. Together, they elevate even the simplest scenes into laugh-worthy moments.

Shalini Pandey impresses with a confident, sharp-edged performance, bringing emotional stability amid the madness. Piyush Mishra lends gravitas and intrigue to Phuphaji, grounding the film’s fantastical elements. Chunky Pandey clearly enjoys his role, while Amit Sial, Manu Rishi Chadha and Sumit Gulati add depth and flavour to the ensemble.

Direction
The film’s humour flows largely from situations rather than forced punchlines, keeping the narrative unpredictable and fresh. The pacing is mostly tight, though the runtime could have benefited from a slightly crisper edit. Visually, Himachal Pradesh is captured in an earthy, lived-in manner, becoming part of the story rather than a postcard backdrop.
The music remains upbeat and well-placed, enhancing the mood without interrupting the film’s flow.

Final Verdict
Rahu Ketu is a classic Bollywood entertainer with a modern sensibility—powered by crackling chemistry, playful mythology and strong ensemble performances. While not without minor flaws, the film delivers where it matters most: laughs, warmth and entertainment. Thanks to the Pulkit–Varun pairing firing on all cylinders, Rahu Ketu emerges as a pleasant surprise and a solid theatrical watch.

Story

Raju (Prabhas) is a restless, impulsive, and free-spirited young man whose emotional world centers on his grandmother, Gangadevi—affectionately called Gangamma (Zarina Wahab). A once-feared and revered zamindar, Gangadevi now lives in destitution, battling mental illness, convinced that her family’s ruin began when a sacred necklace belonging to the village deity was stolen. Her husband, Kanakraju (Sanjay Dutt), vanished decades ago while pursuing the thief, leaving behind a legacy of mystery, loss, and myth.

When doctors suggest that reuniting her with Kanakraju might aid her recovery, Raju embarks on a deeply personal search for his missing grandfather. The quest pulls him to Hyderabad, where past and present collide, and emotional fractures, moral crossroads, and hidden family truths begin to unravel. His childhood confidante Anitha (Riddhi Kumar) and the enigmatic Bhairavi (Malavika Mohanan) soon become key pieces in a puzzle that is far darker—and stranger—than he imagined.

The turning point arrives when Raju discovers a terrifying truth about Kanakraju, one that shifts the mission from rescue to reckoning. The journey crescendos into a cursed forest palace, where the battle for truth becomes a battle of bloodline—an intimate family conflict wrapped in towering supernatural stakes.

Performances

Prabhas is the festival and the flame—magnetic in silence, monumental in confrontation. Sanjay Dutt’s flashback arc is haunting, layered, and unforgettable—his descent more chilling than any curse. Zarina Wahab’s performance carries aching sincerity, giving the film its emotional pulse. Boman Irani provides structural brilliance as the pivot where myth meets logic. The ensemble holds steady, supporting the cinematic architecture.

Direction & Storytelling

Maruthi Dasari directs like a man composing a storm. Horror, humor, fantasy, and heartbreak co-exist without chaos. The interval is a tonal pivot. The second half rises into confrontation. The climax delivers payoff.

Technical & Craft

International-grade VFX peaks in the climax. Cultural texture peaks in the storytelling. Big-screen payoff peaks in audience impact.

Final Take

A confident horror-fantasy layered with emotional depth and anchored by a compelling hero-villain dynamic. The face-off between Prabhas and Sanjay Dutt fuels the film’s strongest energy, giving weight to both conflict and payoff. The narrative appeals equally to family audiences and genre lovers, striking a rare balance between supernatural spectacle and heartfelt storytelling. With controlled craft across departments and immersive atmosphere, The Raja Saab emerges as a composed, emotionally grounded genre film that builds patiently and delivers decisively—making it a steady-run theatrical experience best enjoyed on the big screen, with strong repeat-watch value and broad festive appeal.

A film made for crowds, curses, catharsis, and celebrations—The Raja Saab stays honest to its heart even when the shadows grow taller than the palace. A festive supernatural ride that invites repeat footfalls and delivers emotional recall.