Adah Sharma Goes Marathi With Gajra: Five Roles That Show Her Range
Adah Sharma makes her Marathi debut with Gajra. Revisit five performances — from 1920 to The Kerala Story — that prove her remarkable acting range.
JR Choudhary Verified Public Figure • 30 Mar, 2026Chief Editor
Jul 4, 2026 • 9:13 PM | Mumbai 3 0
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“Adah Sharma Goes Marathi With Gajra: Five Roles That Show Her Range”
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Adah Sharma Goes Marathi With Gajra: Five Roles That Show Her Range
Adah Sharma is heading somewhere she's never been. The actor, who has bounced between horror, action and hard-edged drama over the years, is making her Marathi film debut with Gajra, a story drawn from real events. Its first look is already doing the rounds, and it's not a gentle one — Adah appears as a bride, blood streaked across her, in an image that's tough to shake off.
The reaction to that poster says a lot about where she stands today. Fans want to see how she pulls off yet another skin. And if her past work is any guide, she rarely picks the easy road.
Take 1920, the horror film that launched her. As the possessed Lisa, she had to flip between wide-eyed innocence and something genuinely frightening, and she did it in her very first film. Years on, it's still counted among the strongest horror debuts an Indian actress has managed.
Then came The Kerala Story, easily the biggest turn of her career. Playing Shalini Unnikrishnan, later Fathima Ba, asked for raw emotional heavy lifting, and the film exploded commercially. It crossed ₹375 crore worldwide and became India's highest-grossing female-led release, pulling in a fan base that stretched far beyond her earlier audience.
Action is a different beast, and few actresses commit to it fully. Adah did. Across Commando 2 and Commando 3, she played Bhavana Reddy with real martial arts training and stunt work she clearly wasn't faking. The physical side, paired with her screen presence, made her stand out in the franchise.
She switched moods completely for Sunflower Season 2. Here she was Rosie, a bar dancer with sharp comic timing, a role built on glamour, mischief and a bit of mystery. It proved she could walk away from intense drama and land squarely in offbeat comedy without losing her footing.
The trickiest job might have been Reeta Sanyal. The show handed her eight separate identities, each with its own disguise and personality, and she had to hold the humour and suspense together while jumping between them. It remains one of her most demanding technical exercises on screen.
That's the pattern with Adah — horror, action, comedy, courtroom tension, socially charged stories. She keeps reaching for parts that push her. Gajra is simply the next test, this time in a language she hasn't worked in before.
There's more coming, too. She'll appear as a devi in a bilingual project, and turn up as a slacker superhero in SuperVelli. For now, though, all eyes are on that bridal poster and the transformation waiting behind it.