Samarpeet later moved to Mumbai for his undergraduate studies at St. Xavier’s College, where he pursued Mathematics, Physics, and Statistics. But while academics formed one part of his life, theatre quickly became the other. During this period, he began actively participating in stage productions, gradually building connections and experience within the theatre community.
His stage journey in Mumbai saw him perform in several notable productions including Mr. Robinson at NCPA in 2017, Inqalab Zindabad at Antas in 2018, Qatl at the Lingua Festival in 2019, and Mumbai 66A in 2020. Each play added a new layer to his understanding of performance and storytelling.
At one point during his undergraduate years, Samarpeet made a bold decision — he paused his formal education for a year to focus entirely on acting. During this time, he enrolled in a Screen Acting Diploma at Mumbai Film Academy, led by Anil Chaurasia, where he trained under Sanjay Kumar and Swati Kumar. It was here that he was first introduced to the nuances of acting for the screen. His training soon translated into work, including a short film titled Qismat produced by MFA Motion Pictures.
Even after resuming his studies, Samarpeet continued working across different productions. One of his early screen projects during this time was Ronny, an XIC film directed by Akash Chabra that was later showcased at the Moviepedia Festival.
Samarpeet’s artistic direction took a significant turn when he attended a workshop with Jeff Goldberg Acting studio. The workshop introduced him to the philosophy of Method Acting and the techniques developed by Lee Strasberg. Fascinated by the depth of the method, Samarpeet decided to take his training further — all the way to New York.
He enrolled in the prestigious two-year conservatory program at the Lee Strasberg Theatre and Film Institute. During his time there, he trained under respected instructors including Robert Ellerman, Geoffrey Horne, George Loros, Bill Hopkins, Ted Zurkowski, Bill Balzac, Lola Cohen, Suzanne Didona, Jacqueline Jacobus and Kelly Tursi for Method Acting and learning script analysis with Lorca Peress. Incorporating with movement for actors under Madeline Jaye and Micheal Eisenstein for Tai Chi. He also explored the art form of Commedia del’arte under Christopher Tramantana and Rachel Griesinger, singing for actors with Bruce Baumer and Robert Grusecki, Business of Acting with Tim Crouse. He also explored his musical theatre skills with Heather Petruzelli, Dan Furman and Michelle Robinson.
As part of his conservatory performances, Samarpeet appeared in powerful and authentic stage productions such as Hurlyburly by David Rabe, Titus Andronicus by William Shakespeare, and Red by John Logan — experiences that further refined his craft and stage presence. He has been utmost thankful to the institute for nourishing his craft of acting, which not only transformed him as an actor but also as a person. He is said to have achieved groundedness, truth and honesty during the course of his training.
While in New York, he also participated in the Lee Strasberg Theatre and Film Institute Film Festival, collaborating with fellow students to create a film titled A Grain of Truth Directed by Darya Vasylyeva.
Samarpeet’s body of work continues to grow across theatre, film, and digital projects. His earlier credits include Amy’s Ghost a feature film with Artz Entertainment directed by Aatish Thakur in 2012, Treasure Island a musical with Stagecraft Theatre directed by Vikas Khurana in 2011, Mr. Robinson plays at NCPA, and the film Ronny.
More recently, he has been part of several notable projects including Stairwell streaming at Fearpix directed by Sywane McManus, American Dreams, an NYU thesis film directed by Mehak Singh Gill, and Ezekiel Cheever in The Crucible at LSTFI directed by Brendan Clifford. He also performed in Faasla, a translated adaptation of 12 Angry Men by Insignia Productions, and featured in the music video Afsos produced by Monkstudioproductions. He also has some surprises coming up with Jermel Howard, a Hollywood star. Recently he has been associated as an understudy actor with Frog and Peach theatre group, an AEA ensemble under Lynnea Benson.
Samarpeet’s training has also included working with Smita Patil Street Theatre under Yousuf Qasmi, further grounding him in socially driven performance traditions.
Currently based in New York, Samarpeet continues to sharpen his craft at Acting Studio 22 under Marcel Simoneau, constantly pushing himself to explore deeper emotional and psychological layers of performance through more vivid acting techniques.
For Samarpeet Bhale, acting has never been about fame alone. It has always been about understanding human behavior, storytelling, and truth on stage and screen. From Nagpur to Mumbai and now New York, his journey reflects the path of an artist driven by discipline, curiosity, and an unwavering commitment to the craft. He believes that every human being is talented but training and discipline can help any artist achieve heights in their career. He believes that every artist is inclusive and has his or her own form of expression.
And if his journey so far is any indication — there is much more to come.
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